THE LAB WORKSHOPS
Le Lab organizes 5 workshops a year. In these workshops, we bring together professionals from across the audiovisual chain (directors, actors, producers, distributors, exhibitors, scriptwriters, “technical” professions, institutions, film music, video games, tech professionals, etc.) with different levels of awareness of our subjects.
Our workshops are run using collective intelligence methods and aim to :
- Generate awareness,
- Create moments of exchange and encounter,
- Bring out concrete ideas for solving a given problem. Ultimately, the Lab has a lobbying dimension, so that the ideas that emerge from our workshops today become the actions of tomorrow.
You’ll find the reports of all our workshops below, with the names of participants, the themes addressed, the proposed solutions and the nugget quotes!
COMPTES-RENDUS DES ATELIERS
Music to image: revealing tomorrow’s creative forces
2022
![](https://i1.wp.com/femmesdecinema.org/wp-content/uploads/2017/08/2-3.png?w=1080&ssl=1)
Parity in the audiovisual
and tech sectors
2022
![](https://i0.wp.com/femmesdecinema.org/wp-content/uploads/2017/08/1-4.png?w=1080&ssl=1)
Tools for greater parity in the audiovisual industry
2022
![](https://i1.wp.com/femmesdecinema.org/wp-content/uploads/2017/08/3-2.png?w=1080&ssl=1)
Diversity and representations
2022
![](https://i0.wp.com/femmesdecinema.org/wp-content/uploads/2017/08/4-2.png?w=1080&ssl=1)
Diversity and representations
2022
![](https://i1.wp.com/femmesdecinema.org/wp-content/uploads/2017/08/5-1.png?w=1080&ssl=1)
Writing diversity
2022
![](https://i0.wp.com/femmesdecinema.org/wp-content/uploads/2017/08/6-1.png?w=1080&ssl=1)
Gender diversity in the film and audiovisual industries
2021
![](https://i1.wp.com/femmesdecinema.org/wp-content/uploads/2017/08/8-1.png?w=1080&ssl=1)
The place of women composers in film music
2021
![](https://i2.wp.com/femmesdecinema.org/wp-content/uploads/2017/08/7-2.png?w=1080&ssl=1)
Representing diversity in writing: freedom and responsibility?
2021
![](https://i1.wp.com/femmesdecinema.org/wp-content/uploads/2017/08/Design-sans-titre-9.png?w=1080&ssl=1)
Representing diversity in writing: freedom and responsibility?
2021
![](https://i0.wp.com/femmesdecinema.org/wp-content/uploads/2017/08/9-2.png?w=1080&ssl=1)
Representing diversity :
from screen to print
2021
![](https://i1.wp.com/femmesdecinema.org/wp-content/uploads/2017/08/10-1.png?w=1080&ssl=1)
Parity
in audiovisual
2021
![](https://i1.wp.com/femmesdecinema.org/wp-content/uploads/2017/08/11-1.png?w=1080&ssl=1)
Diversity in series
2020
![](https://i1.wp.com/femmesdecinema.org/wp-content/uploads/2017/08/14-1.png?w=1080&ssl=1)
Students & film professionals
2020
![](https://i2.wp.com/femmesdecinema.org/wp-content/uploads/2017/08/13-1.png?w=1080&ssl=1)
Better European cooperation for parity
2019
![](https://i0.wp.com/femmesdecinema.org/wp-content/uploads/2017/08/12-1.png?w=1080&ssl=1)
Meeting between businesswomen and women working in cinema
2019
![](https://i2.wp.com/femmesdecinema.org/wp-content/uploads/2017/08/15-1.png?w=1080&ssl=1)
The place of women and gender stereotypes in cinema
2019
![](https://i2.wp.com/femmesdecinema.org/wp-content/uploads/2017/08/16-1.png?w=1080&ssl=1)
Diversity
in cinema
2019
![](https://i2.wp.com/femmesdecinema.org/wp-content/uploads/2017/08/17-1.png?w=1080&ssl=1)
Gender stereotypes
2019
![](https://i2.wp.com/femmesdecinema.org/wp-content/uploads/2017/08/18-1.png?w=1080&ssl=1)
Parity in distribution and operations
2018
![](https://i0.wp.com/femmesdecinema.org/wp-content/uploads/2017/08/19-1.png?w=1080&ssl=1)
Testimonials from women in cinema
2018
![](https://i1.wp.com/femmesdecinema.org/wp-content/uploads/2017/08/20-1.png?w=1080&ssl=1)
Women and series
2018
![](https://i0.wp.com/femmesdecinema.org/wp-content/uploads/2017/08/21-1.png?w=1080&ssl=1)
Parity in cinema
2018
![](https://i1.wp.com/femmesdecinema.org/wp-content/uploads/2017/08/22-1.png?w=1080&ssl=1)
The place of women in cinema
2017
![](https://i1.wp.com/femmesdecinema.org/wp-content/uploads/2017/08/23-1.png?w=1080&ssl=1)
Parity in cinema
2017
![](https://i1.wp.com/femmesdecinema.org/wp-content/uploads/2017/08/24-1.png?w=1080&ssl=1)
Parity in cinema
2017
![](https://i0.wp.com/femmesdecinema.org/wp-content/uploads/2017/08/19-1.png?w=1080&ssl=1)
Le Lab Femmes de cinéma
2017
![](https://i0.wp.com/femmesdecinema.org/wp-content/uploads/2017/08/26-1.png?w=1080&ssl=1)
In all our reports, we use the Chatham House Rule. This rule is used to regulate the confidentiality of information exchanged during a meeting: when a meeting is held under this rule, participants are free to use the information gathered on this occasion, but they must not reveal the identity or affiliation of the people behind the information. This allows for greater freedom of speech and stronger positions. The list of workshop participants, on the other hand, is public, in order to indicate the diversity and quality of those present, and to give value to the ideas put forward.
![](https://i2.wp.com/femmesdecinema.org/wp-content/uploads/2022/11/202210_Lab-FdC-Sisley_sporchercarli-HD-23-2.jpg?w=1080&ssl=1)